I have seen two movies in less than a week, Sorry To Bother You and Equalizer 2. There will be no recaps as this is not a movie review. Suffice it to say, see both. They are really good.
What struck me most about both films, is the presence of a black male character for whom the audience roots for. In the era of #BlackLivesMatter and the death of young black men scattered throughout social media, it is not characteristic of mainstream media to showcase these men in a sympathetic light. Trayvon Martin at 15 was described as a man and portrayed as a thug. Michael Brown was portrayed in the same manner. It is notable to see young black men on screen, imperfect and yet deserving of empathy and protection.
The character Chris Washington in Jordan Peele’s Get Out had audiences cheering for a dark-skinned black male as he fought white oppressors to free himself from a prison they had lured him into. Talk about revolutionary. In, Sorry to Bother You, the main character Cassius Green, fights selling out to “the man” and capitalistic oppression of others. In Equalizer 2, Denzel Washington’s character Robert McCall risks his life to save a young black man entangled with gangs and drugs.
The characterization of these black male characters as human, relatable, and sympathetic is an act of resistance. It is also why representation matters. We need African American creatives of all types making movies, TV shows, books, sculptures, architecture – projecting a vision of ourselves into the future. I am hoping that the works of Ryan Coogler, Antoine Fuqua, Jordan Peele, Boots Riley, are trailblazing and not just trend.
I am finishing up Parable of the Sower by Octavia Butler. I read recently that Ava Duvernay is bringing Butler’s Dawn, to screen. I am looking forward to a similar wave of heroic black female characters for audiences to cheer for being brought to life.